Resul Pookutty praises Payal Kapadia’s Cannes win: Indian film industry not involved

Indian Cinema Triumphs with Cannes Grand Prix Win

Indian cinema has once again proven its global prowess as Payal Kapadia’s film, “All We Imagine as Light,” secured the prestigious Grand Prix at the 2024 Cannes Film Festival. This remarkable achievement marks a significant milestone, being the first Indian film in the last thirty years to clinch this top honor. The movie narrates the compelling tale of two Kerala nurses navigating their lives in contemporary Mumbai, starring Kani Kusruti, Divya Prabha, and Chhaya Kadam.

Resul Pookutty Commends FTII for Nurturing Talent

On a reflective note, Resul Pookutty, renowned sound designer and Academy Award winner for “Slumdog Millionaire,” commended the role of the Film and Television Institute of India (FTII) in fostering talents like Kapadia. Pookutty emphasized that Kapadia’s triumph not only signifies a personal victory but also stands as a testimony to the resilience and dedication of FTII alumni. He underscored the broader implications of Kapadia’s success, highlighting the lack of support from the mainstream Indian film industry and government delegations traditionally sent to Cannes.

Emphasizing the Struggles Faced by Artists

Pookutty shed light on the challenges encountered by students at institutions like FTII and SRFTII, who often choose a path of artistic struggle rather than conforming to more conventional career trajectories followed by graduates of prestigious Indian institutions. He articulated the unique journey of individuals associated with FTII, portraying them as enthusiasts who willingly embrace a life of creative challenges. Pookutty reiterated that the mainstream film industry played no direct role in Kapadia’s historic Cannes win, attributing the success to the inspiring cinematic experiences offered at FTII and the creative atmosphere nurtured by talented artists from varied backgrounds.

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Celebrating FTII’s Legacy and Alumni Achievements

Pookutty’s sentiments resonated with the sentiment of pride as FTII alumni continued to make history at Cannes, representing a significant year for Indian cinema at the 77th Cannes Film Festival. FTII celebrated the remarkable achievements of its alumni, highlighting the significant contributions of these individuals on the international cinematic stage. Observing the success of Kapadia and other FTII alumni, Pookutty urged for the preservation of the unique artistic atmosphere that FTII has cultivated over generations, nurturing future talents in the realm of cinema.

Facing Challenges and Upholding Principles

As Kapadia basks in the glory of her Cannes triumph, she prepares to confront a legal battle initiated by FTII stemming from her involvement in the 2015 protests against the appointment of Gajendra Chauhan as chairman. Kapadia played a pivotal role in the historic 139-day protest, challenging Chauhan’s appointment due to perceived inadequacies. The protest led to severe repercussions, including the revocation of her scholarship and legal repercussions.

Looking Towards the Future

Despite the challenges faced, Kapadia’s journey stands as a testament to resilience and commitment in the face of adversity. Her 13-minute short film, “Afternoon Clouds,” further showcased her talent when selected for the competition category at the 70th Cannes International Festival in 2017. This recognition prompted FTII to reverse its punitive actions, extending support for Kapadia’s travel to Cannes. As Indian cinema continues to shine on the global stage, artists like Kapadia epitomize the spirit of creativity and determination that propels the industry forward.

Overall, Kapadia’s triumph and the recognition accorded to FTII alumni underscore the rich tapestry of talent and dedication present in the Indian film industry. As the legacy of institutions like FTII continues to inspire future generations, the journey of artists like Kapadia symbolize the unfaltering spirit of creativity and excellence that defines Indian cinema on the world stage.

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