‘Killers of the Flower Moon’ Film Review: Scorsese’s Enigmatic Depiction of Enterprise Formation


Leonardo DiCaprio in ‘Killers of the Flower Moon’: A Powerhouse Collaboration

With a runtime of three and a half hours, Martin Scorsese’s latest film delves into the dark and brutal history of the Osage murders. Based on David Grann’s non-fiction book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the movie explores the relentless greed that led to the slaughter of indigenous people in the 1920s. Starring Leonardo DiCaprio, Robert De Niro, and Lily Gladstone, this gripping production dives deep into a chilling chapter of American history.

The Plot: Unveiling an Era of Injustice and Greed

The story begins with Ernest Burkhart, portrayed by Leonardo DiCaprio, returning from World War I, wounded and destitute. Seeking refuge at his uncle William King Hale’s ranch, Ernest soon uncovers Hale’s sinister plot to murder and steal from the Osage tribe. As Ernest is instructed to court Mollie, played by Lily Gladstone, the daughter of an influential Osage family, the stage is set for a tale of deceit, love, and treachery.

Ernest’s relationship with Mollie evolves amidst escalating Osage deaths, shrouded in mystery and met with unresponsive local law enforcement. Frustrated by the lack of justice, the Osage people take their grievances to Washington D.C. Their efforts are met with threats and violence, leading Mollie to confront President Calvin Coolidge despite her declining health. Agent Thomas Bruce White Sr., portrayed by Jesse Plemons, is eventually dispatched by The Bureau of Investigation to uncover the truth behind the murders.

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The film reaches its climax in a courtroom, where Hale’s attorney W. S. Hamilton, played by Brendan Fraser, faces off against Prosecutor Peter Leaward, portrayed by John Lithgow. With moments of riveting tension and shocking revelations, justice is ultimately served.

A Visually Stunning Production

“Killers of the Flower Moon” captivates viewers not only with its compelling narrative but also with its impeccable visuals. The film’s stellar production design transports audiences to the 1920s, showcasing meticulous attention to detail in every frame. From the exquisite lamps to the elegant curtains and delicate crockery, Scorsese’s team has created a seductive and authentic atmosphere.

The screenplay, crafted by Eric Roth and Scorsese himself, takes a deliberate approach, building tension through well-timed moments of violence and shocking revelations. The inclusion of a radio broadcast in the epilogue further enhances the impact of the film, with mesmerizing sound effects bringing the story to life.

Powerhouse Performances

DiCaprio delivers a powerful performance as Ernest, shedding his iconic good looks to embody a character marked by weakness and vulnerability. De Niro, on the other hand, brings his trademark charisma to the role of Hale, effortlessly switching between benevolence and menace. Lily Gladstone’s portrayal of Mollie exudes grace and dignity, while Plemons captivates as the morally upright Agent White.

However, despite its impressive runtime, “Killers of the Flower Moon” falls short in capturing the motivations of its characters. The focus primarily rests on the white characters, leaving the Osage people relegated to mere archetypes of noble suffering. This oversight detracts from the film’s potential to delve deeper into the complexities of the Osage victims’ experiences.

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Currently running in theaters, “Killers of the Flower Moon” offers a haunting and thought-provoking exploration of an often-overlooked chapter in American history.



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